UK Copyright case: Different, but Same-Same

If you recognize the above images, its probably because you've seen some reports online about a recent English copyright case. Its seems to have been first reported by Amateur Photographer magazine, and then picked up by DPReview and in turn made its way around various blogs and internet forums - Boing Boing and Peta Pixel amongst others. 

From the secondary commentary it looks like there's a game of internet Chinese whispers going on, with subsequent "reports" trying to outdo each other with the shock value of their commentary.  The Boing Boing article is the worst for just substituting its own ideas for what actually happened in the case.  

Reporting on legal cases is difficult enough, however the trend lately seems to be to pick up other articles, take out some chunks and never bother to read the case.    

What happened?

This is a fairy unusual case with an odd background. It doesn't reall hinge on the striking similarity of the two images. Its about copying in the sense of looking at one photo and re-creating the parts. In this case it was done digitally by stitching together four other images and then pasting on a red bus. Presumably the license for the original was too expensive for the company. 

This is roughly how it went:

  1. The tea company copied the original image from the photographer and uses it on their product. 
  2. The photographer sued and reached a settlement from the company to pay a royalty.
  3. Tea company stoped using the first original image, and got their graphic designers to make a similar image in Photoshop from a composite of 4 other photos and a stock photo of a red bus. 
  4. Photographer sued the tea company claiming the new image is still a copy of the original image.
  5. The Judge looked at the evidence, and decides that the second image is a copy.

The decision reached was that the tea company set out to create an image that was similar to the original, but different, and ended up creating an image that was too similar because it copied the significant parts of the original, including the way elements were placed.  

The case doesn't set any new precedents, doesn't change the law isn't a "shocking" decision, and doesn't have any huge consequences for photographers.

The judgment can be found here:  Temple Island Collections Ltd v New English Teas Ltd and Another (No. 2) [2012] EWPCC 1.

What's the Law?

In general, copyright protects the substantive expression of ideas in creative works. 

In practice, some breaches of copyright are easier to see and understand than others.

  • If you use the photo someone else has taken without their permission it can be a breach of copyright.
  • If you take your own photo its usually not a breach of copyright. 

In between these two is the situation where someone re-creates or imitates another person's image by some process of copying, even if its not an exact facsimile.    

It is in this last category that there can be cases that are less than clear cut. 

Independent expression:

You can't have a breach of copyright unless there has been copying! 

This problem doesn't arise is when there are two independent expressions of the same idea. This is particularly common in travel photography. The thousands of people who have shot images of London's landmarks doesn't stop each of those photographers having copyright to their own images, as long as they're original expressions. Previous photos of a place don't prevent anyone else from taking, publishing or selling a photo of that same landmark. 

This case is different is because these aren't two independent photographs. One is a photograph that has been manipulated with Photoshop to remove background colors. The second is a Photoshop composite of various other images arranged together to form an image that has several elements in common with the first image, and given the same color removal treatment as the original. 

The second image was created with apparent instructions that it should be similar, but not the same as the original. The judge simply decided that it was too similar given that it was produced with reference to the first image.

How does this affect Photographers?

Many photographers who have seen the commentary are wondering how it affects them. 

This case doesn't stop you from:

  • Photographing places that have been photographed before
  • Using ideas and techniques that you see or learn somewhere else
  • Photographing situations when the end product looks similar to existing photo

Photography a good example where many factors combine to give effect to the photographers individual creative expression:  Color, timing, composition, movement and focus to name just a few. 

A useful paragraph from the judgment that should give some comfort to photographers is this one:

Mr Houghton could have simply instructed an independent photographer to go to Westminster and take a picture which includes at least a London bus, Big Ben and the Houses of Parliament. Whatever image was produced could then have been used on the tins of tea. Such an image would not infringe. It may or may not have the same appealing qualities as the claimant's image. 

Ideas, techniques and places alone are not protected by copyright. In this example, its not a breach of copyright to take a photo of a red bus, passing Big Ben, or even to Photoshop the whole thing into black & white while leaving the bus red. The judge actually looked at other photos with the same technique, including this one from Andres Rodriguez available on iStockphoto (para. 45) and said: "the collection of other similar works relied on by the defendants have worked against them because the collection has served to emphasise how different ostensibly independent expressions of the same idea actually look". 

What is however a beach is to take an existing photograph and to try to re-produce it, which is what the judge decided happened in this case. On this reasoning, it takes more than taking a photo or even applying a few filters for there to be a breach of copyright.

Some comments on the commentary:

DPReview: Similar, but not copied, image found to breach copyright

The DPReview title is misleading - If it had said "Similar but not identical image, found to have been copied and in breach of copyright: it would be more accurate. If there was no copying, there would be no breach! 

Petapixel: If you’re a photographer in the UK, you might want to think twice about shooting and selling a photograph that has a similar composition to an existing photo.

There's nothing in this judgment or in UK law that stops you from shooting or selling photos of landmarks, even if its similar to something that's been shot before. 

Boing Boing: "What the judge ruled was that photographing a scene that is "substantially similar" to a scene someone else has already photographed infringes the first shooter's copyright."

No, the judge didn't say anything like that! He said the exact opposite - you can photograph the same scene. What wasn't allowed was Photoshopping together several other images so that they look like someone else's photo when you're using that photo as a reference.

Boing Boing "The judge here ruled that the idea of the image was the copyright, not the image itself."

Again, no he didn't. He followed well established case law and applied it to the facts before him and made a judgment based on the similarity of elements in the copied image and its background of having been created with reference to the first.

Where would this principle apply in photography?

The situation that comes most readily to mind is when you have photographs that are produced through elaborate staging or the end product involves unique Photoshop techniques. This isn't so common in travel photography, but may be more common in other areas of commercial photography.

An example is this one: a businessman riding a rhino through an office produced by photographer John Lund. While the idea of funny animals and animal concepts isn't something that can be copyrighted, the expression of those ideas into images through unique compositions and sets are generally protected. 

Comments

Very clear explanation on the law principles involved in this case. Much to the relief of our travel photobugs. :)
With all due respect, whilst your attempt to play this case down is admirable, you fail to understand the case's legal implications. The key problem is the very paragrpah you cite above. The only way to avoid infringement is to instruct another photographer to go and take the photo according to the instructions set out above. Neither you, nor any reader of this or any other article covering the story, will be able to take this picture yourself. This is becuase you, and everyone who has read this article, are not an independent photographer. The reason you are not independent is that you have seen Mr Fielder's image. According to the judgment, there is no way any reader of this article, or any other article, can go to London, take a picture of a bus on that bridge from a similar angle, and then change the colour. You cannot do so for the life of Mr Fielder plus 70 years. This is why the legal community is up in arms. The scope of protection has been changed significantly. By attemping to garner publicity yourself by underplaying this, you are damaging a photographer's right to recreate a similar image.

Taking a photograph is fine - stitting down with photoshop and re-creating the image isn't.I think the judge's comments about getting a photographer to do it was more about the impression he had of the defendant's photographic skills than making a statement about it being having to be an independent photographer in the sense you're referring to. As to your allegation of "attempting to garner publicity" underplaying things really doesn't make for good headlines or lots of traffic.  As a photographer, I fully support photographers rights. My contention is that the scaremongering isn't helpful or warranted.Many people read the headlines and become afraid to create art. Its a complicated subject that can't really be dealt with in just a few lines, hence I decided to spend quite a few hours reading the cases, checking my facts and writing the article in a way that I hope most people can follow.

>This is why the legal community is up in arms. The scope of protection has been changed significantly. The scope of protection has not been changed. The judge applied that law that has been in place since 1988 when the Copyright, Designs and Patent act was last amended. Did you really think that law made it legal for you (or any other photographer) to go out their and copy the artistic expression of another's piece of work for commercial use? >Neither you, nor any reader of this or any other article covering the story, will be able to take this picture yourself You see, this is the very overreaction that this article is trying to fight against. You, or I, or anyone else can go down to the same spot and take (as close as possible) the exact same picture and you will not be prosecuted by Mr Fielder - unless you try to profit commercially from the resulting image and Mr Fielder can show that you knew about his image. Now I'm willing to guess that an overwhelming majority of people will not be wanting to take that picture for commercial reason. And for those that are wanting to take a picture for commercial reasons - come on, did you really expect the law to be on their side?
For someone who makes reference to the CDPA, I would have expected a greater knowledge of the law. Commercial profit/motive has nothing to do with copyright infringement. All it does is change the level of damages. You are still liable, the only difference is that you would only have to pay a reasonable royalty in damages for your one infringing image - as oppposed to paying it for many reproductions. The amateur is as much an infringer as the professional. The easy way to rebut me on this is to point to one section in the CDPA, or any case, which states that that commercial motive is what liability rests on.
There is a "fair dealing" policy (Chapter 3, Part 1) within the CDPA that allows for the use/depiction, incidental copying of copywrited material for the purpose of research, private study, critical review and/or non-commercial purposes. This isn't a complete list btw. I agree that commercial motive is not what liability rests on but you can't ignore either that the public will almost undoubtedly be covered by the "fair dealing" policy and will have nothing to worry about.
"and/or non-commercial purposes" - you misrepresent the law. There is no separate non-commercial section. This is why private downloaders of copyright material are liable - music or photos. The words non-commercial acutally only relates to non-commercial research or private study - see s.29 CDPA. Taking photos yourself is not for private study - the case law is quite clear on that. As all copyright lawyers know, the extent of fair dealing is exceptionally narrow.
The reason private downloaders of copyright material are liable is because they are obtaining for free what would ordinarily require payment. The music industry pursue those violations to the extent they do because it is in their commercial interests to do so - no other reason. Besides, downloading an actual piece of work is not really a fair analogy to a photographer going and taking a picture from the same spot that Mr Fielder did. A closer analogy would be a singer going to a studio and singing a Madonna song, putting it on a CD or YouTube. Singing someone elses song does not infringe copyright - unless of course you try to pass it off as your own original piece of work. Likewise, creating the same photo as Mr. Fielder does not infringe on copyright unless you try to pass it off as your own, original piece of work. Now, if taking photos yourself is not covered by "fair dealing" and case law is quite clear on that then what protected the amateur photographer two weeks ago? It sounds to me as if you're saying that the CDPA and case law don't protect the amateur photographer - meaning that this most recent case changes nothing. Either way, copyright infringment is largely all about commercial motive. The victim of copyrighted material is hardly going to go to the expense of hauling people to court for infringment just because they snapped a picture and hung it up on their wall (or stored on their hard drive) to keep as a memento. So, for the amateur photographer this case changes nothing and they can continue on their merry with nothing to fear.
We will never agree on this - it is clear you are not a copyright lawyer with knowledge of the law, and I am wasting my time trying to explain the nuances of it!! Suffice to say that singing a madonna song and putting it on a CD is copyright infringement. Madonnna owns the copyright in the words - and reducing it to tangible form on a CD is infringing. Recording it has nothing to do with misrepresenting it. It is quite clear your conclusions on this issue are based on an ignorance of the law. A little knowledge is a dangerous thing.
The CD is just a medium and is no different to recording yourself singing a song and putting it on YouTube . YouTube is just another form (not as tangible as a physical object like a CD). Go and take a look at YouTube and see how many people have recorded themselves singing a cover of someone elses song. So maybe the law says that all of those people are infringing on copyright. Well if that's the case then obviously it's not a big deal because no one is being taken to court for it. Any maybe a little knowledge is a dangerous thing. But what does that say for you - you clearly have more than a little knowledge but then you state (what I consider at least) to be very over-reactionary remarks. This is a sincere question now - do you honestly believe that the law as it currently stands (as a result of the Fielder case or otherwise) means that amateur photographers are infringing on copyright by taking similar-looking photos as Mr. Fielder's? And if the answer is "yes" - do you really think it matters? And why does it/doesn't matter?

Oli, you're right that in a legal sense commercial motive isn't relevant to a determination of a copyright infringement, but it usually plays a big part in deciding what if any legal action can or should be taken.

On the subject of legal qualifications, I don't think its a necessary requirement that someone be a lawyer or have specialisations before they're entitled to comment or give their views on legal issues. Its certainly not a requirement to become a lawmaker. When laws start to differ from a society's expectations, eventually there will be a trigger for change.

Copyright issues are topical, and cases like this get used to push political positions regardless of what actually happened. The Boing Boing article is a perfect exampe. The writer's (self-written?) wikipedia entry should  put his anti-copyright stance in perspectives ("He is an activist in favour of liberalising copyright laws"). In my view his article is simply fear-mongering to promote that agenda.  

Sometimes there will be cases like this one that become contentious, but photographers shouldn't be afraid to take photos, even in London. 

Add new comment

News, reviews and tutorials for travelers and photographers!