
If you recognize the above images, its probably because you've seen some reports online about a recent English copyright case. Its seems to have been first reported by Amateur Photographer magazine, and then picked up by DPReview and in turn made its way around various blogs and internet forums - Boing Boing and Peta Pixel amongst others.
From the secondary commentary it looks like there's a game of internet Chinese whispers going on, with subsequent "reports" trying to outdo each other with the shock value of their commentary. The Boing Boing article is the worst for just substituting its own ideas for what actually happened in the case.
Reporting on legal cases is difficult enough, however the trend lately seems to be to pick up other articles, take out some chunks and never bother to read the case.
This is a fairy unusual case with an odd background. It doesn't reall hinge on the striking similarity of the two images. Its about copying in the sense of looking at one photo and re-creating the parts. In this case it was done digitally by stitching together four other images and then pasting on a red bus. Presumably the license for the original was too expensive for the company.
This is roughly how it went:
The decision reached was that the tea company set out to create an image that was similar to the original, but different, and ended up creating an image that was too similar because it copied the significant parts of the original, including the way elements were placed.
The case doesn't set any new precedents, doesn't change the law isn't a "shocking" decision, and doesn't have any huge consequences for photographers.
The judgment can be found here: Temple Island Collections Ltd v New English Teas Ltd and Another (No. 2) [2012] EWPCC 1.
In general, copyright protects the substantive expression of ideas in creative works.
In practice, some breaches of copyright are easier to see and understand than others.
In between these two is the situation where someone re-creates or imitates another person's image by some process of copying, even if its not an exact facsimile.
It is in this last category that there can be cases that are less than clear cut.
You can't have a breach of copyright unless there has been copying!
This problem doesn't arise is when there are two independent expressions of the same idea. This is particularly common in travel photography. The thousands of people who have shot images of London's landmarks doesn't stop each of those photographers having copyright to their own images, as long as they're original expressions. Previous photos of a place don't prevent anyone else from taking, publishing or selling a photo of that same landmark.
This case is different is because these aren't two independent photographs. One is a photograph that has been manipulated with Photoshop to remove background colors. The second is a Photoshop composite of various other images arranged together to form an image that has several elements in common with the first image, and given the same color removal treatment as the original.
The second image was created with apparent instructions that it should be similar, but not the same as the original. The judge simply decided that it was too similar given that it was produced with reference to the first image.
Many photographers who have seen the commentary are wondering how it affects them.
This case doesn't stop you from:
Photography a good example where many factors combine to give effect to the photographers individual creative expression: Color, timing, composition, movement and focus to name just a few.
A useful paragraph from the judgment that should give some comfort to photographers is this one:
Mr Houghton could have simply instructed an independent photographer to go to Westminster and take a picture which includes at least a London bus, Big Ben and the Houses of Parliament. Whatever image was produced could then have been used on the tins of tea. Such an image would not infringe. It may or may not have the same appealing qualities as the claimant's image.
Ideas, techniques and places alone are not protected by copyright. In this example, its not a breach of copyright to take a photo of a red bus, passing Big Ben, or even to Photoshop the whole thing into black & white while leaving the bus red. The judge actually looked at other photos with the same technique, including this one from Andres Rodriguez available on iStockphoto (para. 45) and said: "the collection of other similar works relied on by the defendants have worked against them because the collection has served to emphasise how different ostensibly independent expressions of the same idea actually look".
What is however a beach is to take an existing photograph and to try to re-produce it, which is what the judge decided happened in this case. On this reasoning, it takes more than taking a photo or even applying a few filters for there to be a breach of copyright.
DPReview: Similar, but not copied, image found to breach copyright.
The DPReview title is misleading - If it had said "Similar but not identical image, found to have been copied and in breach of copyright: it would be more accurate. If there was no copying, there would be no breach!
Petapixel: If you’re a photographer in the UK, you might want to think twice about shooting and selling a photograph that has a similar composition to an existing photo.
There's nothing in this judgment or in UK law that stops you from shooting or selling photos of landmarks, even if its similar to something that's been shot before.
Boing Boing: "What the judge ruled was that photographing a scene that is "substantially similar" to a scene someone else has already photographed infringes the first shooter's copyright."
No, the judge didn't say anything like that! He said the exact opposite - you can photograph the same scene. What wasn't allowed was Photoshopping together several other images so that they look like someone else's photo when you're using that photo as a reference.
Boing Boing "The judge here ruled that the idea of the image was the copyright, not the image itself."
Again, no he didn't. He followed well established case law and applied it to the facts before him and made a judgment based on the similarity of elements in the copied image and its background of having been created with reference to the first.
The situation that comes most readily to mind is when you have photographs that are produced through elaborate staging or the end product involves unique Photoshop techniques. This isn't so common in travel photography, but may be more common in other areas of commercial photography.
An example is this one: a businessman riding a rhino through an office produced by photographer John Lund. While the idea of funny animals and animal concepts isn't something that can be copyrighted, the expression of those ideas into images through unique compositions and sets are generally protected.
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Comments
Yi
Tue, 01/31/2012 - 03:41
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Oli
Tue, 01/31/2012 - 10:45
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Holger Mette
Wed, 02/01/2012 - 00:46
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Taking a photograph is fine - stitting down with photoshop and re-creating the image isn't.I think the judge's comments about getting a photographer to do it was more about the impression he had of the defendant's photographic skills than making a statement about it being having to be an independent photographer in the sense you're referring to. As to your allegation of "attempting to garner publicity" underplaying things really doesn't make for good headlines or lots of traffic. As a photographer, I fully support photographers rights. My contention is that the scaremongering isn't helpful or warranted.Many people read the headlines and become afraid to create art. Its a complicated subject that can't really be dealt with in just a few lines, hence I decided to spend quite a few hours reading the cases, checking my facts and writing the article in a way that I hope most people can follow.
Karl
Wed, 02/01/2012 - 04:32
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Oli
Thu, 02/02/2012 - 04:09
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Karl
Thu, 02/02/2012 - 05:03
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Oli
Thu, 02/02/2012 - 09:15
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Karl
Thu, 02/02/2012 - 10:30
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Oli
Fri, 02/03/2012 - 04:05
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Karl
Fri, 02/03/2012 - 04:51
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Holger Mette
Fri, 02/03/2012 - 09:20
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Oli, you're right that in a legal sense commercial motive isn't relevant to a determination of a copyright infringement, but it usually plays a big part in deciding what if any legal action can or should be taken.
On the subject of legal qualifications, I don't think its a necessary requirement that someone be a lawyer or have specialisations before they're entitled to comment or give their views on legal issues. Its certainly not a requirement to become a lawmaker. When laws start to differ from a society's expectations, eventually there will be a trigger for change.
Copyright issues are topical, and cases like this get used to push political positions regardless of what actually happened. The Boing Boing article is a perfect exampe. The writer's (self-written?) wikipedia entry should put his anti-copyright stance in perspectives ("He is an activist in favour of liberalising copyright laws"). In my view his article is simply fear-mongering to promote that agenda.
Sometimes there will be cases like this one that become contentious, but photographers shouldn't be afraid to take photos, even in London.
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